3.994 file audio bebas royalti untuk "And This Is How It Ends"

This Land Is Your Land performed by the Singing Sergeants of the United States Air Force Band. Track 1 from This Land Is Your Land (1980).

It Is Well with My Soul

Female voice saying "and this is how it ends" with 6 variations of emotion.

This Land is Your Land to a semi-traditional tune with text by Woody Guthrie, sung by myself, F major

Illustration of "London Bridge" from Walter Crane, The Baby's Bouquet (c. 1877)

Das historische Soldatenlied How Stands the Glass Around. The historic soldier song How Stands the Glass Around.

Anton Günther Gesang und Gitarre: "S ist Feierobnd" in erzgebirgisch

Holy Bible, International Standard Version (2008) Luke 8:17 "There is nothing hidden that will not be revealed, and there is nothing secret that will not become known and come to light."

Holy Bible, International Standard Version (2008) Luke 8:17 "There is nothing hidden that will not be revealed, and there is nothing secret that will not become known and come to light."

Holy Bible, International Standard Version (2008) Luke 8:17 "There is nothing hidden that will not be revealed, and there is nothing secret that will not become known and come to light."

Holy Bible, International Standard Version (2008) Luke 8:17 "There is nothing hidden that will not be revealed, and there is nothing secret that will not become known and come to light."

O store Gud Du großer Gott, wenn ich die Welt betrachte Du großer Gott, wenn ich die Welt betrachte, die du geschaffen durch dein Allmachtswort, wenn ich auf alle jene Wesen achte, die du regierst und nährest fort und fort, dann jauchzt mein Herz dir, großer Herrscher, zu: Wie groß bist du! Wie groß bist du! Dann jauchzt mein Herz dir, großer Herrscher, zu: Wie groß bist du! Wie groß bist du! Blick ich empor zu jenen lichten Welten und seh der Sterne unzählbare Schar, wie Sonn und Mond im lichten Äther zelten, gleich goldnen Schiffen hehr und wunderbar, dann jauchzt mein Herz dir, großer Herrscher, zu: Wie groß bist du! Wie groß bist du! Dann jauchzt mein Herz dir, großer Herrscher, zu: Wie groß bist du! Wie groß bist du! Wenn mir der Herr in seinem Wort begegnet, wenn ich die großen Gnadentaten seh, wie er das Volk des Eigentums gesegnet, wie er's geliebt, begnadigt je und je, dann jauchzt mein Herz dir, großer Herrscher, zu: Wie groß bist du! Wie groß bist du! Dann jauchzt mein Herz dir, großer Herrscher, zu: Wie groß bist du! Wie groß bist du! Und seh ich Jesus auf der Erde wandeln in Knechtsgestalt, voll Lieb und großer Huld, wenn ich im Geiste seh sein göttlich Handeln, am Kreuz bezahlen vieler Sünder Schuld, dann jauchzt mein Herz dir, großer Herrscher, zu: Wie groß bist du! Wie groß bist du! Dann jauchzt mein Herz dir, großer Herrscher, zu: Wie groß bist du! Wie groß bist du! Deutsche Nachdichtung: Manfred von Glehn (1867-1924)

Panama national anthem, instrumental version, adopted as national anthem in 1906

Oh, How That German Could Love composed and sung by Irving Berlin in 1910

Oh, How That German Could Love composed and sung by Irving Berlin in 1910

Oh! How I Hate to Get Up in the Morning, a song by Irving Berlin produced on U.S. Army time for the Army benefit show, Yip Yip Yaphank (1918). This recording, by Irving Kaufman, is from about 1919 - the University of California Santa Barbara gives it as "191-", and it cannot, of course, predate the song. While the sound quality is somewhat poor, the lyrics used here are likely nearer that sung in Yip Yip Yaphank than the standard ones given in the sheet music, making it useful. This is Indestructible Record #1569.

Oh! How I Hate to Get Up in the Morning, a song by Irving Berlin produced on U.S. Army time for the Army benefit show, Yip Yip Yaphank (1918). This recording, by Irving Kaufman, is from about 1919 - the University of California Santa Barbara gives it as "191-", and it cannot, of course, predate the song. While the sound quality is somewhat poor, the lyrics used here are likely nearer that sung in Yip Yip Yaphank than the standard ones given in the sheet music, making it useful. This is Indestructible Record #1569.

London Bridge Is Falling Down

London Bridge Is Falling Down

How Stands the Glass Around

Autumn comes, the summer is past, from EnglandAutumn comes, englisches HerbstliedÜbertragung (R.F.): Bald ist Herbst, der Sommer ist um, Frühlingssaat wird belohnt. Klar sind die Lüfte, würzig die Düfte unter dem Erntemond. Bald ist Herbst, und Glück bringt auch er, den manches Lied vertont. Blättern die Bäume, schwellen die Träume unter dem Erntemond. Bald ist Herbst. Die Zeit kommt von dem, der über Sternen wohnt. Anfang und Ende, Sterben und Wende lehrt uns der Erntemond.

Komm, sag es allen weiter, Evang. Gesangbuch 225

It Came Upon a Midnight Clear performed by the Singing Sergeants of the United States Air Force Band. This arrangement also includes "Away in a Manger". Track 11 from Light One Candle (2004).

Victor record n°17020-A, sung by Arthur Collins and Byron Harlan.

Nederlands: Gelukkig is het land - De Geest des Heren heeft een nieuw begin gemaakt (Huub Oosterhuis) Der Geist des Herrn hat uns den Anfang neu geschenkt, Gotteslob Freiburg / Rottenburg-Stuttgart Nr. 863

My Bonnie Is Over The Ocean

Go Tell It on the Mountain performed by the Airmen of Note of the United States Air Force Band. Track 19 from A Holiday Sampler (2009). Track 1 from A Holiday Note From Home (2005). Recorded June 20-24 & July 7, 2005 at Bias Studios. Credits: Alto Saxophone [Jazz] – MSgt Andy Axelrad* Alto Saxophone [Lead] – TSgt Lucas Munce* Artwork [Cover] – Stewart Andrews Baritone Saxophone – TSgt Doug Morgan* Bass – CMSgt Paul Henry* Bass Trombone – CMSgt Dudley Hinote* Cello – MSgt Frank McKinster*, MSgt Vivian Podgainy* Directed By – SMCgt Joe Jackson* Directed By [Assistant] – MSgt Rich Sigler* Double Bass – MSgt William Hones* Drums – TSgt Dennis Hoffmann* Edited By – MSgt Alan Baylock*, SMSgt Joe Jackson*, MSgt Rich Sigler* Engineer – Bob Dawson Guitar – TSgt Geoff Reecer* Management – CMSgt Dudley Hinote* Management, Directed By [Strings] – CMSgt Jane Bockenek* Mastered By – Charlie Pilzer Mixed By – MSgt Alan Baylock*, SMSgt Joe Jackson*, MSgt Rich Sigler* Percussion – SMSgt Pat Shrieves* Photography By – A1C Rusti Caraker*, Thomas Devins Piano – MSgt Steve Erickson* Producer – SMSgt Joe Jackson* Producer [Assistant] – MSgt Alan Baylock* Strings – The United States Air Force Strings Tenor Saxophone [Jazz] – MSgt David Stump* Tenor Saxophone [Lead] – TSgt Tedd Baker* Trombone [Jazz] – TSgt Ben Patterson*, MSgt Jeff Martin* Trombone [Lead] – SMSgt Joe Jackson* Trumpet [Assistant Lead] – MSgt Kevin Burns* Trumpet [Jazz] – MSgt Rich Sigler*, MSgt Tim Leahey* Trumpet [Lead] – TSgt Brian MacDonald* Viola – TSgt Bryce Bunner*, SMSgt Paul Swantek*, MSgt Sharon Bingham Wolfolk*, TSgt Wayne Graham*, TSgt William Hurd* Violin – MSgt Alexander Dean*, MSgt Cleveland Chandler*, SMSgt Deborah Volker*, TSgt Emily Barnes*, TSgt Gregory Pinney*, TSgt Henry Tyszler*, CMSgt Jane Bockenek*, TSgt Luke Wedge*, TSgt Mari Uehara*, TSgt Mark Dorosheff*, TSgt Mark Helm*, SMSgt William Tortolano* Vocals – TSgt Paige Wroble*

Yes, Virginia, There Is A Santa Claus performed by the Concert Band of the United States Air Force Band of Mid-America. Track 6 from A Musical Christmas (2007).

2-3 suspension in Lassus's Beatus vir in sapientia, mm.23-24. Created by Hyacinth (talk) 14:51, 25 February 2010 using Sibelius 5.

Tip and Ty, campaign song, text by Alexander Coffman Ross, tune traditional "Little Pigs" (first verse only)

Shave and a Haircut in C. Triplet swing. Created by Hyacinth (talk) 00:13, 8 November 2010 using Sibelius 5.

Shave and a Haircut in G. Triplet swing.

Tip and Ty, campaign song, text by Alexander Coffman Ross, tune traditional "Little Pigs" (all twelve verses)

Tip and Ty, campaign song, text by Alexander Coffman Ross, tune traditional "Little Pigs" (all twelve verses, alternate)

Shave and a Haircut in G with chords. Triplet swing.

Shave and a Haircut in G with chords. Triplet swing.

Shave and a Haircut in G. Triplet swing.

Tonfolge von "Shave and a Haircut" in C-dur als Audio-Datei (ogg-Format)

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It Came Upon a Midnight Clear, Deck the Halls (a holiday mashup) performed by the A Cappella Singers of the United States Air Force Band of the Rockies. Track 8 from Christmas from the Rockies (1993).

Oh! How I Hate to Get Up in the Morning, a song by Irving Berlin produced on U.S. Army time for the Army benefit show, Yip Yip Yaphank (1918). I believe the version used in the show used the opening verse from the Irving Kaufman recording; the opening verse here was probably made for publication. This is Edison Blue Amberol #3639, which was created using Edison Diamond Disc matrix #6287.

Go Tell It on the Mountain (jazz version) performed by the Diplomats of the United States Air Force Band. Track 7 from Do You Hear What I Hear? (2002). Frank Pappajohn, conducting.

Primay triads in c, as MIDI

Sound of steel chisel (tritone)

Sound of steel chisel 8th (octave)

Uncertain origin. Used for picking a lock with a thin knife in my game the life and times of daniel vastberaden.

Sound of steel chisel 5th (fifth)

It Came Upon the Midnight Clear (for jazz piano) performed by the Diplomats of the United States Air Force Band. Track 6 from Do You Hear What I Hear? (2002). Frank Pappajohn, conducting.

Passamezzo moderno/"Gregory Walker" chord progression in C major, beginning with tonic chord in first inversion and continuing using minimal-change and "closest-packing" rules (minimizing each voice's change from previous note and keeping each chord's notes as close to each other as possible; resulting order of inversions is first-root-first-second/first-root-first-second-first)

Passamezzo moderno/"Gregory Walker" chord progression in C major, beginning with tonic chord in second inversion and continuing using minimal-change and "closest-packing" rules (minimizing each voice's change from previous note and keeping each chord's notes as close to each other as possible; resulting order of inversions is second-first-second-root/second-first-second-root-second)